
June 2006
John
Ellis
'By A Thread'
Hyena Records
Over
the past several years, tenor saxophonist John Ellis
has developed a powerfully funky style. More recently,
he has stretched out to bass clarinet and ocarina, releasing
two well-received sessions as a leader and maintaining
his integral part in guitarist Charlie Hunter’s
well-known trio. On By a Thread Ellis has brought together
a quintet that delivers the funk, but also shines on
multifaceted compositions which define a more mature
sound. These beautifully melodic pieces serve as springboards
to more adventurous climes.
Pianist
Aaron Goldberg continues his association with Ellis.
Newcomer guitarist Mike Moreno is able to adapt easily
to the changing moods; in the process he showcases a
touch that exquisitely adds to the rhythm section or
strongly leads into uncharted waters. Ellis could not
have chosen a better rhythm session: drummer Terreon
“Tank” Gully brings that same muscle he
displays with bassist Christian McBride, as well as
a marked percussive musicality that meshes wonderfully
with bassist Reuben Rogers.
For
By a Thread Ellis has added soprano sax to his already
varied sonic palette, and the opening “Ferris
Wheel” is a quickly turning, wild aural ride of
precisely played soprano. This is necessarily followed
by the breath-catching rhythmically delicious “Tall
Drink of Water” and the smooth melodic flow of
“Little Giggles.” An ancient Eastern feel
permeates the ocarina/guitar opening to “Old Man”
before the band turns the elderly gentleman on to a
funky groove; and “Wishing Well” features
Moreno and Goldberg soloing in various directions, augmented
by bass clarinet.
“Lonnie,”
with Goldberg on Rhodes, combined with some juicy tenor
and down-home rhythms, would certainly please its namesake;
the bluesy “Umpty Eleven” is a forum for
Ellis' wide range and Moreno's agility against a pleasing
backdrop. “Swirl” does just that, thanks
to Goldberg’s hypnotic lines, until the funkster
“Moore’s Alphabet,” a paean to New
Orleans drummer Stanton Moore, forcefully closes things
out on the strong shoulders of Gully and Rogers.
|